
Kikagaku Moyo - Kumoyo Island
Black vinyl, gatefold jacket.Â
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In many ways âKumoyo Islandâ represents the culmination of a journey for Kikagaku Moyo. While their decade-long career can be summarized as a series of kaleidoscopic explorations through lands and dimensions far and near, thereâs a strong intention in each of their works to take the listener to a particular place, however real or abstract they may be. In that sense, the title and cover art for the bandâs fifth and final album draws you into a magical mass of land surrounded by waterâbut the couch suggests that âKumoyo Islandâmay not be a fleeting stop, but rather a place of respite, where one could pause and take it all in.
Reconvening at Tsubame Studios in Asakusabashi, Tokyo, where their earliest material had been recorded, the five members of Kikagaku Moyo found new inspiration in a familiar and comfortable environment. With their adopted homebase of Amsterdam under lockdown and their touring activities halted due to the pandemic, the band felt a renewed sense of freedom being back in shitamachi, or the old downtown area of their hometown. With unrestricted time in the studio, they began to build upon the demos and song fragments theyâd amassed since their last tour. In the 1.5 months spent in Tokyo, everything started to come together.
âMonakaâ, its name taken from a type of Japanese wafer sweets, takes melodic inspiration from traditional minyofolk styles, while âYayoi Iyayoiâ is a rare instance of the band singing in their native tongue, its evocative lyrics utilizing archaic words taken from old poetry and nature books found in one of the many second-hand bookstores of Tokyo. For âMeu Marâ, an Erasmos Carlos cover, the original Portuguese lyrics were translated into English, then to Japanese. Strangely enough, the words seem to conjure an image of the protagonist floating among the clouds, looking down upon Tokyo Bay.
In fact, it may be possible to draw a parallel between the topography of the bandâs home countryâan island nation, surrounded by bodies of waterâand the mysterious isle of Kumoyo. Are they one and the same? Has the band finally made it back home? Itâs up to the listener to decide.Â
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Product Information
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Shipping & Returns
Shipping & Returns
Description
Black vinyl, gatefold jacket.Â
- - - - - -
In many ways âKumoyo Islandâ represents the culmination of a journey for Kikagaku Moyo. While their decade-long career can be summarized as a series of kaleidoscopic explorations through lands and dimensions far and near, thereâs a strong intention in each of their works to take the listener to a particular place, however real or abstract they may be. In that sense, the title and cover art for the bandâs fifth and final album draws you into a magical mass of land surrounded by waterâbut the couch suggests that âKumoyo Islandâmay not be a fleeting stop, but rather a place of respite, where one could pause and take it all in.
Reconvening at Tsubame Studios in Asakusabashi, Tokyo, where their earliest material had been recorded, the five members of Kikagaku Moyo found new inspiration in a familiar and comfortable environment. With their adopted homebase of Amsterdam under lockdown and their touring activities halted due to the pandemic, the band felt a renewed sense of freedom being back in shitamachi, or the old downtown area of their hometown. With unrestricted time in the studio, they began to build upon the demos and song fragments theyâd amassed since their last tour. In the 1.5 months spent in Tokyo, everything started to come together.
âMonakaâ, its name taken from a type of Japanese wafer sweets, takes melodic inspiration from traditional minyofolk styles, while âYayoi Iyayoiâ is a rare instance of the band singing in their native tongue, its evocative lyrics utilizing archaic words taken from old poetry and nature books found in one of the many second-hand bookstores of Tokyo. For âMeu Marâ, an Erasmos Carlos cover, the original Portuguese lyrics were translated into English, then to Japanese. Strangely enough, the words seem to conjure an image of the protagonist floating among the clouds, looking down upon Tokyo Bay.
In fact, it may be possible to draw a parallel between the topography of the bandâs home countryâan island nation, surrounded by bodies of waterâand the mysterious isle of Kumoyo. Are they one and the same? Has the band finally made it back home? Itâs up to the listener to decide.Â
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